

Antal Kelle's ArtFormer works were most recently displayed in Dessau in the Bauhaus Kandinsky/Klee Master House, then in Hungary at the Exhibition Hall of the Hungarian Patent Office. His large-sized figures created for the 2009 Budapest Design Week are hung in the Renaissance Hall of the Museum of Fine Arts. They are a platform for the joint interactivity of several persons and utilise the most progressive technologies. From the point of view of interactivity the almost 6 metre tall statue couple that uses the entire space is exceptional in art history. Visitors of the museum can directly modulate them, while others can watch and remotely move the statues from two other venues – the Museum of Applied Arts and the Moholy-Nagy University of Art and Design Budapest. No one knows the other in this relationship. The indirect behaviours and reactions revealing themselves in the movements of the statues fall into play or co-operative acceptance or even denial.
Organised by ArtFormer Studio and Museum of Fine Arts

The Applied Arts Institute (AMI) of the University of West Hungary aims at searching and producing progressive possibilities of visual culture and the effective forms of design and presentation in the field of architecture, design and graphic design. AMI working together with the Kecskemét based International Ceramics Studio introduces its result in the Budapest gallery of the Studio. Some of the showcased works have been awarded, for example a poster by Anita Lukács or the Atlantic Ocean crossing ship designed by Andrea Pálos and Gábor Rakonczay.
Organised by AMI, Museion No. 1 Gallery and the International Ceramics Studio

I was born in the Ukraine in 1983. Spent most of my life in a dark bedding storage, then returned in 2005. I watch things and people around me. I like being with friends. I like being on my own. I laugh when something is real, real fun. I think that important things are simple. I do play, but I am not a toy. We all have our job to do. My job is to deal with what I like. I share my experiences. I'd like to invite you to the first exhibition of my life. http://sargika.wordpress.com
Organised by ArtLounge Gallery, Carat Hotel, KREA Contemporary Art School and IVANKA

The style of the uniquely designed woolen carpets of Brinkus Design is a kind of breaking point from the strict rules of geometry and rigid angularity. Thanks to hand-tufting the shape and surface of the carpets can be freely formulated, while coupling the different materials results in the creation of special pieces that can make any interior original and characteristic.
Adventurous visitors can try sculpturesque shearing and can even take the result of their work home.


Conference for the profession about the cultural, artistic, social, sociological and economical connections between fashion and design with the participation of designers, the media and representatives of other art forms. Presentation of the long term concept of “Budapest Couture”, exchanging ideas with the profession and also initiating an open discussion about the role, the Hungarian and international context of fashion with the participation of guest presenters.
Organised by the First Hungarian Fashion Designer Association, the Museum of Applied Arts and the Moholy-Nagy University of Art and Design Budapest

In the framework of the exhibition organised at an exciting venue, individual, non-series pieces of design furniture, home accessories and salt therapy tools made of salt bricks can be seen. The displayed works are based on associations of ancient and state of the art materials – crystal salt, wood, metal, glass, and ceramics.
The world music and sound therapy instruments of Gyula Mihály, ceramic artist can be seen and tried.


The project was launched as the co-operation of two universities (Moholy-Nagy University of Art and Design Budapest and Schule für Gestaltung, Ravensburg) as a joint research and art initiative for experts and students who live in Hungary or Germany and work in the field of visual communication. The exhibited task was completed by randomly associated German and Hungarian pairs. After the first move of the starting designer the graphical work was sent six times between the artists of the two countries, thus shaping into its final form. The visual responses are interesting even in their own right, but the real excitement is the process of the creation.
Organised by Zsolt Czakó

“Me and my engine” digital drawing workshop: with the help of hand drawing and blue box technology kids can create and then take home a photo of themselves and one of the most imposing vehicles of the museum.
Re-play, the toy-maker's workshop: ageless toys made of recycled materials in the name of environment-consciousness and sparing.
Space-form, building toys: the program introduces the concept of space and architecture on the level of building toys, but in a re-dimensioned form.


The DEMO – Design and Health Model program was launched three years ago in order to fill the void in design education. It is trying to make primary school – 9-14 years of age – kids open for the values of design culture with the help of summer camps and school year programs. The exhibition showcasing the works made at the summer camp is accompanied by creative programs of the DEMO team during the weekends of Design Week.
Organised by DEMO

Budapest Design Week's colourful program for kids brings the world of design closer to 10-14 year olds through playful, creative challenges, inspiring discussions.
The MATERIAL lesson offers a glance into the world of materials used in design. Following the analysis of innovative design products utilising the features of paper and plastic sometimes to the extreme, participating kids can use their newly gained knowledge in preparing their own design objects.


Zoltán Rostás retrofits clothes reinterpreting them with the help of material manipulation and presents them with oversized jewellery created by Éva Huszanyik using everyday, sometimes even banal materials. At the fashion show of the opening Regina Rostás (singer) and the Melancolics Dj Session also participate.
Works of the BALLLON group are also displayed at the exhibition.


Je Suis Belle was founded in 2005 by Dalma Dévényi and Tibor Kiss. They reconsider the basics and stereotypes of clothing through the redefinition of clichés and destructed tailoring. Je Suis Belle clothes are simple, quietly elegant and liberatingly playful at the same time, while ensuring self-confidence.
Fashion fans can see the latest pieces and meet the creators a few days before the opening of the 2009/10 autumn-winter collection.


DuPont, the manufacturer of Corian®, one of the most versatile materials of our times, announced a competition together with the Czech lightning company, Lucis, for Czech design and architecture students in 2008. The challenge was to design one-off and standardised production lamps. It gave a chance of introduction for young talents, but also meant a platform for Corian® to discover new possibilities. Exceptional lighting works of art were created from the acryl and mineral compounds based material, which is very versatile, still exceptionally flexible. The exhibition showcases the best creations of the competition.
Organised by DuPont Hungary

Medence Csoport was founed in 2000 by Tóbiás Terebessy designer; Gergely Magyar communication designer; András Gross interior decorator and Ági Ónody art organiser. Further designers, performers, creators, as well as civil and nonprofit organisations participate in their work. Makett Labor is a continuously changing, always visible and permeable communication surface; office, showroom, shop, exhibition space, independent physical and intellectual workshop, all at the same time.
During the discussion and screening the open kitchen type model workshop is revealed, where the lively process of creation can also be experienced through actual “happenings”, the preparation of models and material tests.


The extraordinary adventure of a fashion photographer (Gergő Pejkó), a fashion designer (Szidónia Szép) and a collection (Fall/Winter 2009/10) displayed in the form of an installation. The clothes appearing in this new approach, going beyond their original function awake surreal associations and also reconsider the special connection between everyday clothing and fashion photography, as a documentary medium.
Organised by Szidónia Szép

Present members of the workshop founded by Krisztián Kelner and Anna Baróthy are Melinda Bozsó, Csenge Kolozsvári, Dorka Tímár and Anna Baróthy. They deal with artistic design and production related mainly to architecture projects. Basic characteristic of their work method is thinking in a team and actively cooperating with other art groups.
In the workshop visitors can get a taste of the artists' most exciting works, while league logo and animal motif printing can also be tried. (Everyone should bring along a one-colour, but not black t-shirt or anything for printing!) Then party with fatty jazz and rejoicing!


The meaning of the body gains a symbolic sense through visual transformation and spatial replacement. With this approach 'costume' is the top skin layer, a body-mask influencing our relation to the outside world. The “Body-masks”, basics of the performance are created as a kind of metamorphoses carrying a sign system that determines the happenings on the stage in time, space and movement. The actors and dancers are not impersonators of a role, much more the animators of the events. On the basis of the writings of Krisztina Tóth and costume-fictions of Edit Szűcs.
Organised by Trafó House of Contemporary Arts

It was the Lajos Kozma Applied Art Scholarship that made it possible for designer Krisztián Ádám to start working with modern metal industry technologies not used by traditional jewellers. Such a process is wire spark cutting, which makes the cutting of the otherwise hard titanium possible. Thanks to the many cuttings, the titanium bracelets resembling 16th century gofers, collars are exceptionally ethereal and flexible, wearing them is a fantastic experience that visitors can enjoy at the presentation of the Sterling Jewellery Gallery.
The exhibition is being opened by András Bánfalvi jewellery designer.


The brand was founded by Eszter Füzes, Attila Godena-Juhász and András Tóth in 2004. Following several successful debuts in and outside Hungary, by now they have become regular participants at the New York and the Los Angeles fashion weeks. Similarly to international fashion houses their collections are prepared one year before the actual season.
At Budapest Design Week the secrets of the trio's workshop are revealed for visitors who can also get to know the winter 2010 fashion.